It wasn’t Vivian, Megan was the one behind Peter’s plan. Days of our lives spoilers
Salem holds its breath as a veil is torn away, and a truth emerges that stains the very air with electricity. It wasn’t Vivian Alamne pulling the strings, not the polished mask of a trusted villainess, but Megan Hathaway DeRara—the woman who climbs through the shadows with a queen’s hunger for control. The revelation lands like a thunderclap, reshaping every alliance, every whispered conspiracy, and every plan that has every betrayed the town’s fragile peace.
From the moment the camera’s gaze lingers on Peter Blake, there’s a current that threads through his every move—an air of something larger at work, something that feels almost preordained by a mind that sees beyond the present moment. Peter moves with a practiced ease, as if he’s simply following a map drawn by hands much steadier than his own. The cameras, the signals, the encrypted messages all begin to make a kind of brutal sense once Megan’s fingerprints are laid bare across the parchment of Salem’s power plays.
Megan Hathaway DeRara—the prodigal daughter of a lineage that knows how to weave ambition with danger—returns not as a mere participant but as the mastermind behind the very plot that has captured the town’s fevered imagination. Her rise, marked by a history of vanishing acts and devastating reappearances, now feels inevitable, as if Salem’s fate was always destined to bend toward her will. The revelation reframes the entire chessboard: every sacrifice, every escape, every calculated risk taken by Peter suddenly reads as a piece of a larger, more dangerous machine—one she built and now directs.
To understand Megan’s grand design, one must rewind the clock to her long, twisting arc. Born from privilege, bred in a world where the truth can be bent until it shines like polished metal, Megan learned early that perception is power. She wore the mantle of a devoted daughter to the Dearas, even as her own ambitions grew teeth. The Prism episodes, the mind games, the art of manipulation—these weren’t mere tricks; they were apologies to her own hunger, a schooling in influence that would make even the most seasoned conspirator bow in awe and fear.
The plan unfolds with a surgical coldness. Megan taps into every conduit she has ever mastered: the corridors of influence, the secret channels of information, the loyalties that bend like reeds in a storm. She enlists allies who can act without hesitation, who understand that the end justifies a ruthless road. If Peter is a contractor on her behalf, then the alarm bells that previously rang in Salem’s ears now ring with a deeper, more insidious note: this is not a simple betrayal or a petty vendetta. This is a reweaving of the city’s power structure, a deliberate unspooling of the threads that hold Salem together.
Dimmitri von Loer—the dangerous heir who moves with the menace of a man who knows his own legend—serves as Megan’s shadow, her field marshal in a land where alliances shift with the wind. His presence is a warning and a tool, a reminder that Megan’s reach extends beyond the familiar streets of Salem into a geography where old empires crumble into a new order. He moves with a loyalty that isn’t born of sentiment but of a shared necessity: to do whatever it takes to secure Megan’s vision of dominance, even if it means stoking fear or breaking bones to ensure the plan’s fragile architecture holds together.
Meanwhile, Doctor Wilhelm Rolf—an architect of resurrection, a maestro of manipulation—plays his role in this dark orchestra with a calm, clinical precision. If Megan’s plan requires a pulse to keep beating when others would snuff it out, Rolf provides that heartbeat, as if the life of Salem’s most dangerous schemes rests on his quiet, unshakable method. He stands as a wary, almost eerie, collaborator, a man who can bend science to the will of those who crave ultimate control. 
The signal—the eerie heartbeat of the entire operation—moves through channels that no single person can track alone. The camera, once a symbol of surveillance and vulnerability, now looks back at Salem with a knowing gleam. It has become a thread in Megan’s tapestry, a waystation in a route that will eventually lead to the fall of rivals and the rise of a new order for the Deara empire. The signal’s origin, the cross-continental web it threads through Alamania, and the whispers that ripple through Salem’s courts all align into a single, terrifying realization: the town is dancing on the edge of a blade, and Megan wields the sword.
Yet with such clarity comes an even deeper question: what does Megan want beyond power? Her hunger isn